US & UK book deals for my debut novel!

YES – it’s finally, actually happening!  I am absolutely beyond thrilled (and relieved) to announce my debut novel, Dark Chapter, will be published worldwide next year — in North America by Polis Books and in the UK/Ireland by Legend Press.  Both are dynamic independent publishers, which have been going from strength to strength in recent years. So I am very pleased to be part of these teams on both sides of the Atlantic, and to work with them on finding innovative ways to connect with audiences.   After all, one main reason I wrote this novel was to start a more public conversation about the many angles to sexual assault — and I’m glad to have two fantastic publishers make that possible in my home countries. My agents were thrilled to close these deals – here’s their announcement!

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And here’s the Polis Books announcement.  They call my novel ‘bold, riveting, and above all, human.’ I’m liking those words!  I was very lucky to have these words of praise from New York Times-bestselling author Marti Leimbach:

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Marti’s novel Age of Consent is out now, and the encouragement of other authors and advocates on this issue has been vital for me.

In Sweden, Norstedts (publisher of Stieg Larsson, Margaret Atwood, and Elena Ferrante, among others) have already signed up to publish Dark Chapter.  So watch this space for news on publication dates and more publishers!

An article gone viral, academic presentations & upcoming theatre

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If you haven’t read it, my latest article on the Stanford sexual assault has gone somewhat viral, with over 90,000 people (at last count) reading it around the world!  After The Conversation published it, other media outlets like the Australian Broadcasting Corporation, The Independent, TIME, Scroll, and Raw Story ran it, making it available to readers as far flung as Oz and India.  Case in point: social media amplifies (as I argue in my article), and with millions of people worldwide reading the full impact statement of the Stanford survivor, this case has become a game-changer in influencing the way we think and talk about sexual assault.Screen Shot 2016-06-14 at 13.06.16

This is all very on topic for my PhD research on social media and narratives by rape survivors, and  I’m thrilled to announce I recently passed my PhD upgrade at the London School of Economics! Which means it’ll now just be, oh, three years before you can call me ‘doctor’?  (Yep, a long game we’re talking here.) This week I’ve just presented a paper on my work with child sexual abuse survivors at the CMCI PhD Conference ‘(In)Visible Cultures’ at Kings’ College London, and I’ll be presenting it again at the Media and Communications PhD Symposium at the LSE on June 30th.

On June 23 and 27, I’ll chair the Q&A following performances of Foreign Body, a work-in-progress piece of physical theatre, which explores a woman’s memory of sexual assault and her interview with her perpetrator.  The Q&A will be with Imogen Butler-Cole of The What Works (the theatre-maker who created and performs Foreign Body) and Marina Cantacuzino and Anne-Marie Cockburn of The Forgiveness Project.  Marina founded the well-known project, and Anne-Marie’s own restorative process with the young man who supplied a fatal overdose of MDMA to her 15-year-old daughter is a remarkable journey, You can watch her story here. We’ll be discussing trauma, recovery, and restorative justice among other things — and do join us at either of the performances: at the Off Beat Festival in Oxford at 7:45pm on Thursday, June 23 (tickets £8/6) and at the RADA Festival in London at 4pm on Monday, June 27 (tickets £10/5).  Hope to see you there!

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Last month, I had the pleasure of attending the 2016 Asian Women of Achievement Awards Dinner, where I was shortlisted in the Social and Humanitarian category.  Although I didn’t win, it was truly inspiring to be among so many fantastic women, who have made such a difference in their work across a range of industries.  Here’s me and the delightful Harleen Kaur, winner in the Sports category, who at 17-years-old is an international World Martial Kombat champion. It’ll be an honour to be part of a growing network of accomplished Asian women recognised by the Women of the Future Foundation — and I look forward to seeing our collective positive impact on society continue!AWAA w Harleen

Upcoming festival talks in Feb and March

This week is the inaugural Sexual Abuse & Sexual Violence Awareness Week in the UK, and I’ve been part of an active social media conversation at #ItsNotOk. I’ll also be chairing the opening panel at the One Billion Rising Festival on Sunday, Feb 7th.  We’ll discuss the importance of the One Billion Rising campaign and other activism movements against gender-based violence.  The talk is free (taking place right after The Vagina Monologues) and you can book tickets in advance here.  There’s also loads of other performances and workshops during the 7-day festival — be sure to check it out!

And in March, I’ll be speaking at the excellent Women of the World Festival at the Southbank Centre on Saturday the 12th.  The full programme isn’t up yet, but you can book a Saturday day pass — their lineup is never short of inspiring!

Other than that, I’m plugging along on my PhD work at the LSE and continuing to collaborate with other artists, thinkers, and activists on the issue.  Here’s a video of me speaking at last year’s Clear Lines Festival on media representations of sexual assault and what it’s like to have your own attack reported in the press:

A Swedish book deal & my current PhD research at the LSE

Happy 2016!  This update is very overdue, but I haven’t had much spare time these past few months, ever since starting my PhD.  But more on that later…

The first bit of exciting news is that my debut novel Dark Chapter has its first publication deal — it’ll be coming out in Sweden in Spring 2017 thanks to Norstedts, one of Sweden’s most prestigious publishing houses.  They also publish Margaret Atwood, Elena Ferrante, Colm Tóibín, and they discovered Stieg Larsson, so it’s not bad company to be in! The deal was listed at the top of Publishers Weekly Hot International Book Properties in November. I’m looking forward to publishers making the book available in other countries… I hope you are, too!

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Alongside my creative writing, I’ve begun my PhD at the Department of Media and Communications at the London School of Economics. I’ll be researching the impact of social media on the public dialogue about rape and sexual assault — a very topical subject, and obviously, one which I feel strongly about, given my own experience and exploration of the issue. You can watch a video and read an article on my research here:

At the end of October, I spoke at the Feminism in London Conference, as a nominee for the annual Emma Humphreys Memorial Prize.  I didn’t win in the end, but it was an honor to be at the awards ceremony, both as an Individual Award nominee and as a representative of the Clear Lines Festival (nominated for the Group Award).  To have the chance to meet the other shortlisted women — and hear about their collective efforts working against gender-based violence — was nothing short of inspiring.

Me and Kate Llewellyn representing Clear Lines

Me and Kate Llewellyn representing Clear Lines

Speaking of Clear Lines, we have begun to release videos from the festival online.  You can watch them for free here, including videos of me speaking on the panel about news coverage of sexual assault, commenting on what it’s like to have your own rape reported in the media.   There’s also videos from our Spoken Word Night, featuring some very talented poets, and more videos will pop up over the next few months.

You can read my end-of-2015 round-up here.  Looking forward to what 2016 will bring!

Clear Lines was a success!

So the festival I decided to launch in April ended up happening July 30 – Aug 2 — and I’d say it was a success!  The Clear Lines Festival had an estimated 500 people involved over the four days, including 60+ speakers and artists who wanted to help us start a new conversation about sexual assault and consent.  People cried at our Theatre Night and laughed at our comedians, including the brilliant Tiff Stevenson, Josie Long and Bridget Christie — and there were heated discussions at many of our panels.  A number of events were filled to capacity, and Channel 4 News even aired this nifty segment on us:

Overall, there was a lot of press generated about the festival.  We were covered by The Telegraph, the Daily Mail, Time Out London, The Huffington Post, among others.  And I had a live television interview on London Live and some live radio interviews on various local BBC stations.  Check out our press here and you can read our wrap-up blog post on Clear Lines here.

A special shout-out to my festival Co-Founder Dr. Nina Burrowes, to our sponsors On Road Media and McAllister Olivarius, a dedicated Planning Committee, a great team of volunteers, and our 138 Crowdfunders… without whom the festival could not have happened!

Just launched the Clear Lines Festival

After two months of hard work and a lot of enthusiasm, I’m very pleased to announce the launch of the Clear Lines Festival, the UK’s first-ever festival dedicated to talking about sexual assault through the arts and discussion. It’s something I co-founded in April (coincidentally, on the anniversary of my own rape) —  over coffee with Dr. Nina Burrowes and a group of other amazing women, all of whom are passionate about wanting to change the public conversation about sexual abuse and assault.  I personally believe the arts are one of the best ways to approach the issue, by bringing to light the human stories that underpin these experiences.  So we’re putting together an exciting programme of artists, writers, comedians, performers, and filmmakers, who will be exploring the topic through their art — along with panel discussions and workshops featuring psychologists, experts, social workers, journalists, and survivors, among others.  Nearly all events will be free to the public. The festival will run July 30 – Aug 2 in Central London.

At the moment, we’re busy crowd-funding so we can have enough funds to make the festival possible.  We’ll need £3,500 for that — and if we reach our stretch target of £9,000, we’ll be able to film the events and post them online so others around the world can access them.  So please do consider pledging if you can!  You can watch a video of me talking about the festival here.  Join us and together, let’s see if we can replace the silence and stigma that cloud this issue with insight, understanding, and community.

 

A few theatre projects

I’m pleased to say the London performance of my short play “Everything’s Normal” was sold-out!  Thanks to everyone to came, and especially to a great cast and to Tessa Hart at Goblin Baby Theatre Company for making the whole thing possible.  Here’s a few photos from the night at the Bread and Roses Theatre:

Photographer: Kenneth Jay

My play was part of the UNHEARD 2015 Festival, exploring themes of sexual abuse and violence through performance.  Proceeds from ticket sales went to nia, a non-profit dedicated to ending violence against women and children.  More importantly, it was great to meet other artists committed to exploring the many angles and human aspects of this issue through storytelling.  The various plays were

Photographer: Kenneth Jay

diverse, funny, often heart-wrenching, and powerful — and I hope to see more theatre like it.  For my HuffPost article on the creative process behind the festival, click here.

Another short play of mine will be performed on Saturday, March 21 at The Space Arts Centre in London. This one’s just a silly exercise I knocked off during the 28 Plays Later Challenge, which kept me occupied in February.  Yes, me and a bunch of other ambitious/insane writers decided to a write new play every day in February (hence the 28 plays). A creative prompt was emailed out every night, and 36 hours later, we had to send in a new play responding to that.  Needless to say, my play on March 21 is a response to: ‘Write a play that rhymes.’ Actually, that one was pretty fun to write!

Anyway, enough with theatre for now (though I hope to do more with writing drama in the future).  I’m back to re-drafting my novel at the moment…